TMG Radio Airplay

Hope you guys are having a fantastic Wednesday!

The recent success at Tate Music Group, with a few of our artists like Jeff Chandler and his top 10 single "I Know You're There" and the number one hits that Regie Hamm has had over the course of the last few years, has sparked more and more questions on how "I", the artist, get more radio airplay.

Here's a little insight from our radio research consultant, Brandon Rahbar, about how it's all about that "hook" to catch the attention of, not only the radio researchers out there, but the potential audience that will be listening to this song. Absolutely subscribe to his blog to read all the little tips from the inside of the radio research side of your project. And, maybe you're not a TMG artist but you want to know how to succeed like so many of the Tate Music Group artists, selling product and getting radio airplay AND doing it successfully... give us a call at 888-361-9473! We'd love to explain how and why our artists are as successful as they are.

Here's Brandon's blog on the "hook":

"One of the main questions and comments I'm getting from TMG artists is about my listening to their music and hoping that something in it hooks me.

Well, after listening to new TMG releases for the past couple of months, I've heard a lot of very good artists. I've heard artists with a bunch of potential. I've made recommendations for certain songs that should be pushed to radio. And I've advised some artists on which songs I feel are their strongest and maybe some things they can work on. It's a fun process. I love listening to your work and helping in any way I can. Picking the hits, that's always been one of my favorite things to do.

Anyways, in the midst of listening to many TMG artists, I found an artist that was absolutely dynamite. Thirty seconds into the first song, he had my attention. I was hooked. I listened to his next song, same thing. After the third song, I knew this guy had the goods. I advised TMG that this artist was big-time and that I'd like to do something more with him. He's a top shelf talent and I want to do more to help.

I just wanted to blog about this to show you guys that I'm taking this stuff seriously. If I run across something that I just think is absolutely dynamite and it blows my socks off, I'm gonna alert TMG to it and let them know that we have something special in the works. Could that be you? We'll see... I'll be listening!"

TMG Artists, "The Westbrook Singers" featured in QC Magazine!

Tate Music Group recording artists, The Westbrook Singers, were featured in the winter edition of QC Magazine. We are proud of the work the "singers" are doing! To purchase their upcoming release, please visit their page on our Tate Publishing bookstore here! Here's the article from QC:

"Some say the Westbrook Singers got their start in 1960 in a tiny neighborhood church in East Moline when Charles and Barbara Westbrook, parents of 11 children, founded the Community Outreach Church of God in Christ. It was then that Barbara start- ed the choir with just her kids, providing the perfect opportunity for their five girls and six boys to develop their musical talents.

Others say the Westbrook Singers got their start in 1975, the year Charles and Barbara’s son, Kenneth, was shot by a key- board player in Minneapolis. While it is true that being in the children’s church choir provided the Westbrooks with valuable training and experience, their love for Kenneth was the impetus to take their talent to the next level.

“In 1975, our brother, Kenneth, was a member of a band in Minneapolis,” said Gary Westbrook. “When we heard the news (of the shooting), we immediately brought him home to recover.”

The siblings rallied around their brother, knowing how much he missed his music. “We needed to find an avenue for Kenneth to express his love for music,” said brother-in-law Raymond Bryson. With musical talent brimming in the family, forming a group and calling it the Westbrook Singers was the obvious solution.

The group has changed over the years since their fateful beginning. While all 11 siblings originally performed in the band, only four now actively remain—Gary Westbrook, Brenda Joyce (Westbrook) Lee, Delores (Westbrook) Tingel and Cynthia (Westbrook) Bryson.

The four have traveled the country, performing on the Bobby Jones Gospel Show and sharing the stage with gospel greats such as Andrae Crouch, recipient of the Dove Award; the Winans, pio- neers in the field of contemporary gospel music; and the Williams Brothers, gospel singers with the greatest longevity of all time.

A STYLE ALL THEIR OWN

“The Westbrook Singers have their own authentic sound,” says Bryson. “It’s Gospel Jazz that is both contemporary and tra- ditional.” To grasp and appreciate the Westbrook Singers’ music, it’s best to experience it firsthand.

Bob Marovich of the Black Gospel Blog (www.theblackgospelblog.com) notes, “The effortlessness with which the Westbrook Singers interact is something only singers who grow up singing with one another in the family living room can develop.”

The group’s soprano, Delores (Westbrook) Tingel, is often the voice fea- tured throughout much of their music. Praising her, the Black Gospel Blog comments, “Delores hits notes so far over the ledger line that a music transcriber would have a difficult time writing them on paper.”

The Westbrook Singers write much of their own music. An aspect unique to their music is the art of weaving lyrics from old, well-known hymns into their modern arrangements.

While the make-up of the group has varied over the years, their focus has not. Music is their ministry as they attempt to “fill a spiritual void amid the turmoil and confusion of the world today while stressing family unity.” The Westbrook Singers are excited about their future. They have recently signed a recording contract with Tate Music Company in Mustang, Okla. The company will repackage and market the Westbrook Singers’ CD, and make it available nationwide in retail chains such as Best Buy. Musical talent runs deep in the family, as evidenced by the upcoming generation of Westbrooks. “We have some very talented grandkids,” said Bryson. “However, the music of their generation will be very different from ours—it’s more of a praise and worship style of gospel.”

THE WESTBROOK FAMILY

The patriarch, Bishop Charles B. Westbrook and his wife of 69 years, Barbara, are 92 and 84 years old respectively. Barbara is still an inspi- rational singer and is proud that her children are using their talent to glorify God.

The siblings, ranging from oldest to youngest, are Rochelle, Charles Jr., La June, Brenda Joyce, Kenneth, Dennis, Larry, Delores, Gary, Joseph and Cynthia. The family spans five generations, with 50 grandchil- dren, 56 great-grandchildren and two great- great grandchildren. Ministry runs deep in the Westbrook fami- ly, which has a total of seven pastors among them. The family also has a voice in city gov- ernment—Gary Westbrook serves as alder- man for the 7th Ward of East Moline. Charles and Barbara instilled in their chil- dren a strong work ethic and the family shares a long history with one Quad City employer, John Deere Harvester in East Moline.

“Dad worked for Deere for 33 years before retiring,” Larry said, though he was quickly corrected by Gary who quipped, “You mean 33 years, nine months and nine days. That’s what Dad always said!”

In addition to Charles Sr., 10 of the 11 Westbrook siblings have worked for John Deere Harvester at one time or another. Three have retired and two are still employed by of John Deere.

The Westbrooks’ dedication to John Deere has not gone unnoticed by the manufacturing giant. The family was recently featured in the John Deere Journal for their dedication and service to the company. “Collectively, we’ve given over 200 years of service to the compa- ny,” said Gary with a grin.

The siblings credit their parents for instill- ing a strong family bond amongst them. “All the credit goes to our parents,” said Larry Westbrook, current Minister of Community Outreach Church of God in Christ. “And we’ve taken the value of their teaching and are pass- ing it along to our children.”

TMG Producers... LIVE!

Catch myself and TMG Producer, Joshua Dougan, live at an event in Tulsa, Oklahoma at 7PM tomorrow night.

You can watch the live stream here.

Definitely something you won't want to miss!

CMSpin.com press release on TMG Artist, Jupiter Wind...

From CMSpin.com: http://www.cmspin.com/newsmanager/anmviewer.asp?a=5691&z=26

"On the heels of launching in early 2009 with their debut single, Everyday, which enjoyed major national connectivity with Christian radio, the talented guys of rock band, JUPITER WIND, are saddling fresh horses this fall with the announcement of several major career advances.

The band has signed with the Tate Label Group for release of their first album in 2010. They are currently in studio putting finishing touches on the new music with a radio single in the works for January.

In announcing the signing, Brianne Webb, Director of Artist Acquisitions for TMG, noted: “Jupiter Wind combines their original sound, well-crafted music, and industry experience with their intense passion to reach youth with a relevant message for God. Tate Music Group is honored to partner with them in getting their music to the mass audiences at radio and retail.”

Grammy Award winning producer, Dale Oliver, has also signed on to manage Jupiter Wind through his own management firm, OTM Production. Oliver, whose production efforts have helped raise Casting Crowns to multi-platinum levels, has been instrumental in the initial studio launch of Jupiter Wind. He will now oversee career direction as well as production of new music.

Immediate on the band’s promotional docket is their inclusion in a special promotion this month with Interl’inc. Through the Interl’inc mailing, a targeted market to more than 7,500 youth pastors will be invited to catch the vision of Jupiter Wind’s music and ministry."

TMG sponsors renowned Billboard World Song Contest...

MUSTANG, OK – This week, Oklahoma-based record label Tate Music Group (TMG) has confirmed a new strategic sponsor partnership with the renowned Billboard World Song Contest.

As a sponsor for the contest, TMG will select one Grand Prize Winner to be awarded a TMG new artist development contract that includes recording a full album, event booking, and radio and web promotion. The agreement also expands the competition terms to include prizes for the top 36 entries in the contest, based on submissions from artists worldwide.

The Billboard World Song Contest was the first competition of its kind, and has made great strides in exposing first-time, unknown artists to the world through the Billboard World Song Contest Winners’ CD sent to music executives, producers, publishers, agents, promoters, and other music industry moguls.

Tate Music Group President Ryan Tate anticipates adding fresh new talent to their label, including their recent contract with American Idol songwriting contest winner Regie Hamm, who penned the number-one song, “The Time of My Life.”

“We are excited to announce this partnership and hope we can continue working hand-in-hand with Billboard World Song Contestto bring exposure to unknown talent across the world,” Tate said.

With this agreement, TMG joins Billboard World Song Contest partners CASIO, D’Addario Strings, TAXI-The Independent A& R Vehicle, Indie Band Manager, Discmakers, CD Baby, Blublocker Sunglasses, GoGirlsMusic.com, The Halsey Institute, and Sonicbids.com.

For more information, please visit www.tatemusicgroup.com


Billboard World Song Contest

TMG Artist, Nisha, recognized in national magazine and talks shop on TMG!

Tate Music Group Recording Artist, Nisha, has been featured in "Music Connection", a nationally recognized magazine publication. In the article, Nisha talks about her recent signing with Tate Music Group, and explains how great of a deal it truly is!

For best viewing, check out the digital "Music Connection" magazine article here. The article is located on page 26.

“Like any dedicated artist, sexy R&B singer Nisha Hester focused her energy on recording a masterpiece rather than seeking the perfect label. In her corner, however, was former manager, Eric Stancil, who took the time to research her options and mail press kits to potential takers. A likely prospect was...TMG Records.
Although TMG needs to hear at least 3 songs in order to choose an artist, one song in particular got the attention of their signing rep. “Where Did The Love Songs Go” had such an impact that she even included a special introduction in the contract that mentioned the impression-making track as the reason TMG wished to sign her.
‘There are several things I love about TMG,’ explains the rising diva. ‘I like the support and freedom they give to their artists. They allow their artists to maintain all the ownership - as far as songwriting royalties go, we own everything.’ Plus, she adds, ‘They give the highest royalty payments of all the labels out there.’ Also, Hester felt the weren’t hiding an agenda. “We have the freedom to cancel anytime we’re not happy. We can work with other third-party companies,’ she marvels. ‘We have so much freedom!’
There had been another label under consideration, but they asked for a significant chunk of money up front. Weighing the two options, it was clear which company offered the better deal. In fact, TMG’s deal was so generous that she signed without any negotiations.
‘It was almost too good to be true,’ she says. ‘I really didn’t have to think too much about it.’ The agreement itself goes a year and includes an option to renew. Hester recommends other artists to find the label of their dreams; she insists on persistence and never compromising. ‘This is your life – don’t just sign up to the first thing that comes your way.’ She states. ‘And never give up.’
Nisha’s debut, The Metamorphosis, was released in September.

- Andy Kaufmann
Music Connection Magazine”

Exporting tracks for mixing and mastering...

As a mixing engineer, I get a lot of questions in regards to how to properly send files for mixing. While I do get a lot of files that were done properly and exported ready to mix, I get a ton of files that were incorrectly exported and just simply won't work for mixing.

I threw together a quick screenshot video for you to check out, in hopes that it gives you a visual on how to properly export your tracks.

We're using Logic Pro, so the platform you're using may be different, however, the idea is the same. Essentially, when you have properly exported tracks for mixing, they should all be the SAME length, time, and most often than not, same file size. For example, a song that is 3:30 seconds long will have however many individual tracks, all 3 minutes and 30 seconds long. In the same vein, each track will most likely end up the same file size (example, there are 13 total tracks, and all are 42.2MB each).

If there are 13 tracks, track 1 is 759KB, 2 is 42.2MB, 3 is 1.2MB and so on, these files will not work for mixing.

Hope this helps!